Until the middle of the 19th century, Tebay was a hamlet which formed part of the parish of Orton. The railway came in 1846 and with the steady increase in the population, it was recognized that Tebay needed its own church. With an initiative from the Bishop of Carlisle and funds from the London & North Western Railway Company, a separate ecclesiastical parish was created. The building was completed in 1880 and was the design of architect C J Ferguson who was a pupil of the English Gothic Revival architect George Gilbert Scott.
Consecrated on 20th July 1880 by Reverend Harvey Goodwin (Lord Bishop of Carlisle), the church is dedicated to Saint James – the fisherman of Galilee. The building is constructed of rock faced snecked granite blocks (Shap granite) and features a west baptistry in the form of a big apse. Next to the western baptistry is a three stage round bell turret with conical spire.
March 1896 saw the arrival of Reverend A E Palin who had previously been curate in Workington, Scotby and Maryport. The heating system and organ were in urgent need of repairs at this time and by July of the same year, a considerable amount of funds had been raised in order to begin work. Following rebuilding work the organ was reopened on 22nd June 1898, celebrated with a Parish Supper, costing more than the original value of the instrument.
The interior of the church is brick-faced, yellow with red bands and the north plank porch door (above) sits within a pointed surround. Referred to as a true railway church, the inside is built with railway bricks and features pews akin to those found in a railway waiting room.
After the Reverend Arthur Aird left in 1977, Tebay was combined with Orton and was no longer a separate parish. Under Canon Norman Scott, Ravenstonedale with Newbiggin on Lune was added to the parish in 1981. Shap and Bampton have since been combined and the new five parish unit is called High Westmorland.
Shap granite was also used for the font (above) which is surmounted by a railway engine wheel cover.
The Church of St James is Grade II Listed.
West end of the nave with bellcote
Located on Cautley Road in the Yorkshire Dales National Park stands the Church of St Mark. Built in 1847, the church is constructed of random rubble in the Decorated style. The church was designed by the English Gothic Revival architect William Butterfield and was one of his earliest commissions.
View along the nave to the chancel
The simple plan incorporates a nave with west bellcote, chancel, north vestry and a south porch. The chancel is slightly lower than the nave and features a large three light east window with ogival headed lights and geometrical tracery. The chancel also has a double chamfered arch with a Perpendicular style wooden screen.
Fine detailing from the pulpit
The walls of the interior are plastered with a panelled dado and plain panelled wooden pews grace the nave.
The Church of St Mark is Grade II Listed.
Within the grounds of Eggleston Hall are the ruins of the former Chapel of Ease. There had been a Chapel of Ease on the site since 1539. Dating to the 18th century, the small church is constructed of irregular coursed sandstone and ashlar.
The former chapel featured a three bay nave and three bay chancel each with round-headed central doorways.
The private chapel was closed in 1868 with the roof stripped and used on other estate buildings.
A surviving wall monument (below) features three cherubs heads carved in relief flanked by wide scroll brackets. The ruins of the chapel are Grade II Listed.
Located on the north side of Market Square in Kirkby Stephen is the parish church of St Stephen. Rebuilt in the early 13th century, the church is constructed of coursed squared rubble and ashlar. The 16th century west tower is of three stages and features an embattled parapet with pinnacles.
The church features a clerestory detailing double and triple mullioned windows which date to the 19th century.
The church features a seven bay nave with much of the interior stonework replaced or reworked during the 19th century.
The aisles have 15th century windows with tracery which dates to the 19th century.
The ornately decorated pulpit is constructed of various coloured marble and dates to c1871. The Church of St Stephen is Grade II* Listed.
Construction of the monastic church in Ely began in 1083 under the leadership of the Abbot Simeon, who was a kinsman of William the Conquerer. The church became a cathedral in 1109 with completion of the building in its present form by 1350.
Also known as the Ship of the Fens, the cathedral is constructed of ashlar faced Barnack limestone. Flying buttresses support the 12th century exterior which retains numerous carved figure heads and grotesques adorning the towers with pinnacles.
The cathedral contains early Norman to late Perpendicular examples of Gothic architecture with windows of several architectural styles which have been added throughout the course of its history.
The 12th century Norman nave features a ceiling of painted panels which depict the history of man with figures of patriarchs, prophets and evangelists. The painting of the nave ceiling was started during the Victorian restoration of the building by the amateur artist Henry Styleman Le Strange in 1858 and following his death in 1862, the painting was completed by the English artist Thomas Gambicr Parry in 1865.
Arcades of undecorated columns line the aisles with floor tiles which date to the 19th century restorations.
The richly decorated pulpit dates to the 19th century Victorian restorations under the direction of architect Sir George Gilbert Scott.
Beautiful vaulted ceilings adorn the cathedral interior which rise up from wall shafts between the windows. The Cathedral of the Holy Trinity is Grade I Listed.
Located on Riga Pils is Sapju Dievmates Katolu Baznica – Our Lady of Sorrows Church. Constructed in 1781-1785, the church was the first in Riga to be constructed from stone. The church was dedicated to Our Lady of Sorrows as a symbol to the oppressed Catholic religion in Terra Mariana during the Reformation of medieval Livonia.
Between 1858-1860, part of the church was rebuilt to designs by the Latvian architect Johann Felsko who added a new sacristy and made alterations to the main facade. The building is decorated in blue and white and features corner piers, belfry and an octagonal spire.
Located on Museum Island is the Berliner Dom – Berlin Cathedral Church. The largest church in Berlin, the Dom we see today was completed in 1905 and was designed by the German architect Julius Karl Raschdorff.
The building features four corner towers and is both Baroque and Renaissance in its architectural style. Huge corinthian pilasters dominate the entrance facade (above left) and sculpted cherubs adorn the roof (above right).
The monumental pipe organ was built by the Prussian Wilhelm Carl Friedrich Sauer.
The Hozenzollern Crypt has tombs dating back to the 16th century. The crypt is the final resting place for several Kings of Prussia with over ninety sarcophagi and tombs of members of the house of Hohenzollern.